things soon stalled:
The massive crates remained in a warehouse in Brooklyn, New York, for 26 years. One year after Hearst’s' death in 1952, they were purchased by two entrepreneurs for use as a tourist attraction. It took 19 months and the equivalent of nearly $20 million dollars (in today’s currency) to put the Monastery back together. In 1953 Time magazine called it “the biggest jigsaw puzzle in history.”
In 1964, Colonel Robert Pentland, Jr, who was a multimillionaire banker, philanthropist and benefactor of many Episcopal churches, purchased the Cloisters and presented them to the Bishop of Florida. Today the parish Church of St. Bernard de Clairvaux is an active and growing congregation in the Episcopal Diocese of Southeast Florida. Services are held on Sundays and weekdays in both English and Spanish.
Santa María de Óvila is a former Cistercian monastery built in Spain beginning in 1181 on the Tagus River near Trillo, Guadalajara, about 90 miles (140 km) northeast of Madrid. During prosperous times over the next four centuries, construction projects expanded and improved the small monastery. Its fortunes declined significantly in the 18th century, and in 1835 it was confiscated by the Spanish government and sold to private owners who used its buildings to shelter farm animals.The picture above shows what was left of the monastery after Hearst's men had taken away what they wanted.
American publisher William Randolph Hearst bought parts of the monastery in 1931 with the intention of using its stones in the construction of a grand and fanciful castle at Wyntoon, California, but after some 10,000 stones were removed and shipped, they were abandoned in San Francisco for decades. These stones are now in various locations around California: the old church portal has been reassembled at the University of San Francisco, and the chapter house is being reassembled by Trappist monks at the Abbey of New Clairvaux in Vina, California. Other stones are serving as simple decorative elements in Golden Gate Park's botanical garden.
And so my struggle to find out about that one photograph comes to an end, after a circuitous but fascinating journey.