I was in China in 2007, and it was the first ever state-sponsored, Party-approved science-fiction convention. They brought in some people from the west and I was one of them, and I was talking to a number of the older science-fiction writers in China, who told me about how science fiction was not just looked down on, but seen as suspicious and counter-revolutionary, because you could write a story set in a giant ant colony in the future, when people were becoming ants, but nobody was quite sure: was this really a commentary on the state? As such, it was very, very dodgy.Part of a really interesting conversation with Kazuo Ishiguro about genre fiction.
I took aside one of the Party organisers, and said, "OK. Why are you now in 2007 endorsing a science-fiction convention?" And his reply was that the Party had been concerned that while China historically has been a culture of magical and radical invention, right now, they weren’t inventing things. They were making things incredibly well but they weren’t inventing. And they’d gone to America and interviewed the people at Google and Apple and Microsoft, and talked to the inventors, and discovered that in each case, when young, they’d read science fiction. That was why the Chinese had decided that they were going to officially now approve of science fiction and fantasy.
Monday, August 24, 2015
Science Fiction and the Chinese Government
Neil Gaiman:
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