‘Nobody’s taking any notice of the avant-garde any more,’ Hockney notes. ‘They’re finding they’ve lost their authority.’another interview,
He’s probably correct about that. For the past decade or two, it has been hard to say what the cutting edge might be. In a world without rules it is impossible for anyone to break any. ‘They thought they would get authority by damaging the other, earlier establishment,’ Hockney suggests. ‘But by doing that you damage all authority.’
Hockney himself has never been a member of the avant-garde, or any other team; more an expeditionary force of one, determinedly pursuing his own explorations. The centre of his interest has always been what he calls ‘the depiction of the visible world’. And his crucial skill has been drawing, which he was thoroughly taught at Bradford and practised late into every evening, thus developing an extraordinary virtuosity.
He laments the neglect of drawing in recent art education. ‘People had been drawing for 40,000 years, and they gave it up in 1975. It’s almost funny. But they couldn’t give it up really. You can’t: it’s always back to the drawing board!’
"They don't teach drawing in art schools anymore," Hockney said. "It's criminal. Teaching drawing teaches people to look."Drawing at the top of the post is The Arrival of Spring in Woldgate, 2011; above is Woldgate, 8 May 2013. Lots more Hockney work at his web site.