Ex Machina, like Her and all their predecessors going back to 2001, is about machines that develop human qualities: emotions, sneakiness, a higher consciousness, the ability to love, and so forth. But by this point you have to wonder whether that’s a kind of narrative reaction formation—whether the real concern, one that’s been growing in the four decades since the advent of the personal computer, is that we are the ones who have undergone an evolutionary change, that in our lives and, more and more, in our art, we’re in danger of losing our humanity, of becoming indistinguishable from our gadgets.
Friday, May 15, 2015
Movie Robots and Us
Very interesting essay by Daniel Mendelsohn on recent robot films and what they say about our hopes and fears: