Wednesday, January 12, 2022

Catoctin Mountain

I spent a rare day in the field today, up on Catoctin Mountain where they are going to repave a historic road through a park.

Ancient oak tree that was growing at the edge of a cleared pasture, with stone wall nearby.


Pre-Civil War road marker, 10 MI TO AMMITS TOWN.


I was tasked to pay particular attention to the places where culverts run under the road, since they are being replaced and this will involve more digging than just repaving the road will. I thought it would be a pain to find them all, but it turned out to be ridiculously easy. The snow had mostly melted off the road but not above the pipes running under it, and all the culverts were marked with bold white stripes.

Sunday, January 9, 2022

Mary Oliver, "Wild Geese"

You do not have to be good.
You do not have to walk on your knees
For a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting —
over and over announcing your place
in the family of things.

1986

Saturday, January 8, 2022

Hieronymus Bosch, the Puzzle

One of my Christmas presents, which my daughters and I put together this week. Very interesting because even though I knew this painting before, I kept finding more little things that I had not known about, or had forgotten.

The triptych was done around 1500 by Netherlandish painter Hieronymus Bosch, about whom very little is known. This makes interpretation of the painting a game anyone can play.

The left-hand panel shows Adam and Eve with Jesus in the Garden of Eden. 

The right-hand panel shows hell.

The central panel is called The Garden of Earthly Delights, but there is no agreement about what it depicts or how we should view it. It looks like an earthly or semi-earthly utopia, people frolicking happily without worries, or clothes. Art historians have dreamed up theological or Biblical contexts within which this could be just that, a very happy place. Some experts think, though, that it is a depiction of sin, with the hell panel there to remind you where it leads. But then yet again Bosch's depiction of hell doesn't look all that bad, with giant musical instruments and whimsical figures like the ones who populated medieval manuscript margins. And this just looks too happy to me to have been dreamed up by the sort of person who obsesses about the foulness of other people's fun. So, a mystery.

This is a famously weird painting, but how original is it, as art? There isn't anything else exactly like it. But many of the whimsical elements could have been copied from manuscripts, and there was a whole genre of depictions of Folly in the late 1400s, with which Bosch's garden has much in common. One thing that strikes me as unusual is the half architectural, half organic towers in the back, with their curlicues; I can't remember ever see anything like this before. Even allowing that most of the individual elements were cribbed from manuscript margins, the whole composition is strikingly original.

One of my discoveries from doing the puzzle was this charming elephant. Incidentally the mountain with the birds is a standard medieval manuscript image, brought in from the Middle East.

In the midground of the Garden, women frolic in a pool while men ride around them in troops, apparently trying to get their attention. 

Interesting that several of the figures in the Garden are African, doing exactly the same things as the white figures.

I like the guys who thought a really big fish would impress the ladies, although you also have to give points to the guy riding the cat-unicorn.



More strange details. And a very good way to spend time with my daughters.

Miocene Fossils from McGraths Flat, Australia

Amazing fossils from 15 million-year-old deposits in Australia, preserved in iron-rich rocks. 

The exquisite details include feathers, tiny parasites riding on larger organisms, even pollen grains. 

This spot seems to have been an Oxbow Lake in a rain forest ecosystem. As to how this happened, the excavators are not sure:

The secret to the fossils’ preservation is up for debate, but McCurry thinks it would have happened over hundreds of years rather than in a sudden event.

Iron-rich water, maybe from nearby outcrops, could have flowed into a shallow billabong, periodically deoxygenating the water, killing the organisms or encasing flora and fauna in sediment that turns into the rocks found in the field.

Close-up of the sawfly above, showing its head, and a microscopic image showing the pollen grains still visible there. Astonishing.

A larval mussel riding on the fin of a fish as a parasite.

Tiny flowers.

Longhorn Beetle. Original publication, long story at the NY Times.

The Enemy is the System

Interesting NY Times focus group, bringing Democrats together to talk about January 6. While the participants are angry with or disgusted by the Republican leadership, many of them are somewhat sympathetic to the rioters, because they think the system is so broken that rioting is at least an understandable response:

Susan (from Texas): I’ve gained a more nuanced view of what led to that. So all of this stuff that’s happening — what Harold refers to as all the lawlessness. It’s an inevitable boiling point of flawed systems that were put into place and have only gotten worse over the years. And with all these flawed systems that are put into place, everybody’s got to find an enemy. And some people might realize that the true enemy is the system which keeps us all in a harsh place unless you’re the top of the top. But some people, they buy into these lies that they’re told by people in order to keep their power, such as, oh, it’s the immigrants coming in and stealing jobs. It’s the blue-haired liberals and all that. It’s like, no, that’s not who the enemy is. The enemy is the system that needs either a complete makeover or severe reform in order to protect the livelihoods of the people, not the rich who are just gonna run the planet into the ground and move on to the next one.

 And this:

Tracy: I think it was the frustration of the American people. I’m not saying it was right, but I believe it was more of the American people fed up. People are fed up with politics, telling you lies, and this, that, and the other. They stormed the Capitol for different reasons. But it was mainly the frustration of the American people.

Right vs. left divisions obscure it, but there is a sense in which the dominant theme in American politics is a populist revolt against the system.

Friday, January 7, 2022

RIP Peter Bogdanovich

Peter Bogdanovich (1939-2022)  had a Hollywood life in several senses. Growing up, he loved one thing: movies. They consumed his childhood. He then turned his passion into a career, first by interviewing and writing about famous directors, than by becoming one: The Last Picture Show (1971), What's Up Doc? (1972), Paper Moon (1973). What an incredible story, to go from a poor kid who loved movies to an adolescent who idolized great directors to a director at the top of his profession.

Then everything went wrong. He divorced his wife and took up with Cybill Shepherd. He somehow lost his touch as a director, made a bunch of failures. He left Shepherd for a Playboy model, Dorothy Stratten, and made a film so she could appear in it, but then her estranged husband murdered her before killing himself; Bogdanovich is supposed to have spent hours alone watching Stratten's scenes over and over. The movie flopped. Upset with how the studio handled its promotion, he bought the rights and tried to promote it himself, lost a pile of money and went bankrupt.

After disappearing for a while he resurfaced in the 1990s as a television actor, appearing in several TV shows and The Sopranos, but he never again came close to the roaring success he enjoyed in the 1970s.

It makes me wonder, again, what a good life is: one that is safe and happy, or one that takes you to the heights, and the depths? Is the kind of passion that drove Bogdanovich to the top of Hollywood a good thing, or ultimately a catastrophe for the people it touches? And should we feel any regret about loving the art that such people produce on their way to personal Armageddon?

Links 7 January 2022

Hiroshi Tomihari, Mountain Cranes Sky

Scott Siskind turns a review of the new film "Don't Look Up" into a meditation on narratives, the pursuit of truth, and the ambiguity of "Trust Science" or "Believe Experts."

Dark and fascinating photographic Tarot deck by Nicolas Bruno. And more here.

A new way of dividing people politically: bulldozer vs. vetocracy.

Year-end posts from Kevin Drum: Why 2021 was better than 2020, the Ten Most Interesting Charts of 2021, and the Top Ten Worst Trends.

Alana Newhouse, "Everything is Broken," a cry from the heart against our crumbling world. Winner of one of David Brooks' Sydney Awards. I disagree with a lot of it; eg., Newhouse is especially upset that things can now be changed by decree overnight, but that has been a complaint of conservatives since the Reformation and probably longer. Still, it is a good expression of that sort of worldview, and meshes with some of my complaints about competence.

Reviewing advances in green energy, batteries, biotech, and other fields, Noahpinion says "The 2020s are going to be a very cool decade."

Sadeck Waff's choreography for the paralympics, 3 minute video.

The vaccine used to eradicate smallpox in the 20th century was actually made using a virus called vaccinia, which is related to smallpox and cowpox but not the same as either; nobody knows where it came from (best guess is horse pox) or how it came to be the strain used in inoculation. (Wikipedia)

The best coin and other hoards of 2021.

The NY Times thinks Doris Lee (1904-1983) is an "Unjustly Forgotten Artist," but after looking at her work I think she is remembered about as much as she deserves.

German artist Jörg Gläscher made some interesting waves by piling up sticks in a forest.

At the Wara Art Festival in Japan, people make giant animals out of rice straw. Definitely a tradition we should bring to the US. We have plenty of straw and tons of frustrated artists.

In 1957, Los Angeles banned backyard trash burning, part of its efforts to fight "smog." Predictably, this led to protests by people waving American flags and shouting about freedom.

At the Washington Post, a round-up of recent doings in QAnon land: infighting, fund-raising mania, and accusations that the movement itself may be a Deep State operation.

Kevin Drum asked his readers to list things that might become "can you believe it used to be like this" memes on TikTok, and about a hundred responded. Many of their memories focus on the trials of television watching, like having to get up to physically turn the knob to change channels, and having to futz with the antenna to get a clear picture. One that resonated with me was how much dog poop there used to be in cities before cleaning up after your pet became the norm, something I really hated.

Review of a big new book on the culture of dueling.

Among other things, Scott Sumner is a highbrow film buff; here is his extensive ranking of the all films he has reviewed, including his all-time bests. With comments.

A North Korean who risked his life crossing the DMZ to reach the South, in 2020, just risked it again crossing back in the other direction. (NY Times) Several others have done the same, feeling like they were treated horribly in the South. A glimpse of why most Koreans have doubts about reunification.

In Poland, policies came into effect on January 1 that raise already existing cash payments to families that have a second, third, or fourth child, as well as bigger tax breaks for large families. This program will consume about 17% of Poland's GDP. The version in place since 2015 has greatly reduced child poverty, but on the other hand it has not budged the birth rate.

Long, strange NY Times piece about Britney Spears, emphasizing that during her conservatorship she used dance to establish a semblance of freedom. Ok, but there is not a word in this piece about the mental health issues that led to the conservatorship being set up in the first place. If Spears was fighting for control, maybe her own demons were an issue? I emphasize this because I feel strongly that mental health issues are a big part of everything that happens in the world, and I find it baffling when they are left out.

Thursday, January 6, 2022

Trauma and the Capitol Police

The Washington Post has a long article on the events of last January 6, focusing on the experience of Capitol Police officers caught up in the riot. We get very detailed descriptions of the incidents in which officers were killed or seriously wounded, along with a summary of their worries before the fact and the pleas that, in their telling, they made in the run-up for reinforcements, only to be ignored. The distinctively 21st-century theme is the long-term trauma suffered by the officers:

It is widely known that about 150 officers from the Capitol and Metropolitan Police Departments and local agencies were injured during the violence, more than 80 from the Capitol Police alone. Less understood is how long-lasting the damage, physical and psychological, to the Capitol Police force has been, damage that informs many officers’ outrage about what they perceive as a lack of accountability for those responsible. Interviews over many months with more than two dozen officers and their families (some of whom requested not to use their full names to speak frankly without permission from the department or to protect future employment prospects in the federal government), as well as a review of internal documents, congressional testimony and medical records, reveal a department that is still hobbled and in many ways dysfunctional. Among those still on the force and those who have left, many significant injuries and psychological disorders remain, including serious traumatic brain injuries and neurological impairment, orthopedic injuries requiring surgery and rehabilitation, post-traumatic stress disorder and heightened anxiety.

There are two things I wanted to mention here. The first is that trauma among the police is a widespread and growing theme in America. Suicide is the leading cause of death among active duty officers; the suicide rate among police officers is about three times the national average. Three officers who were at the Capitol on January 6 have taken their own lives.

The cause of this are of course complex, but I think one factor specific to police work is the sense among many officers that we have sent them out a long limb to do a dirty, dangerous job and are perfectly willing to saw off the branch behind them if they mess up. The bitterness coming from the Capitol Police has been directed almost entirely at their own bosses, who they feel ignored them and let them down, stranding them in a situation they could not control. When people do dangerous work that is supposed to benefit the public, it matters a great deal to them that the public vociferously supports what they do. They need backing. I think the crisis among the contemporary American police stems exactly from this: they can't handle, psychologically, doing their jobs and simultaneously feeling that the people despise them. The armchair liberal solution – well, if you want public support, stop shooting people, and start turning in your comrades who shot, beat, or frame people – is hard when cops feel that they are in a war, and only other cops understand and empathize with them.

The second is the overall theme we have been discussing here for years, the prominent place of trauma in our models of psychology. In much of what I read it seems like processing trauma is pretty much the only thing in psychology. And not to dismiss that, but it does feel strange to me to read a long, anniversary piece about a violent attempt to reverse a presidential election that focuses mainly on the trauma suffered by people caught up in the riot. All I can guess is that the Post's editors think focusing on personal trauma will get people to care about these events that political analysis will not.

Steve Pincus, "1688: The First Modern Revolution." New Haven: Yale University Press, 2009

1688: The First Modern Revolution is one of those strange double books, combining an impressive, thoroughly researched account of England’s “Glorious Revolution” with a maddening argument about how the event should be interpreted. Pincus has worked himself into a rage over the contempt that, he thinks, the rest of the historical world feels toward his chosen subject of study. He is determined to convince his readers both that the revolution of 1688 is the most important event in the history of the world, and that everyone who has ever written about it before is utterly and completely wrong. There is, he says, a “scholarly consensus” that the overthrow of James II was a sort of non-event, not a “real revolution” but merely a change of regimes engineered by an aristocratic cabal. “This book,” he writes, “challenges every element of this established account.” (5) This matters more than your average historical spat because, to Pincus, 1688 was a sort of pivot on which the whole history of the modern world turns:

All of these interpretations derive their power from a deeply held and widely repeated narrative of England’s Revolution of 1688-89. Unfortunately, that narrative is wrong. Replacing that historical narrative with a new one will necessarily force us to revise many of the basic historical, political, moral, and sociological categories we use to make sense of the modern world. (3)
Pincus’ denunciations of every other historian on the planet are so shrill that I kept hearing maniacal supervillain laughter in the background: You fools! You fools! Only I understand the vast power of my ideas, and I will make you all pay!

Moral categories?

Pincus doesn’t just aim his blows at the old-school Whigs who gave us the textbook account of 1688, but lashes out at in a dozen directions. Even more than the consensus Whigs he despises the “revisionists,” who seem in his account to think that James II was a good guy persecuted by intolerant Anglicans. He also takes in his sights ecclesiastical historians who fail to appreciate the transforming effect of 1688 on the church of England, political scientists who think 1688 created new constitutional rights, and so many others that I lost count long before the end. So much of the books takes the form of protesting how wrong everyone else is that it is hard to follow the narrative, and sometimes hard to tell what Pincus himself thinks. His angry protestations against his enemies sometimes undercut each other, as if he were so determined to prove everyone else wrong that in attacking hapless scholar A he forgets that he pretty much agreed with A in the last chapter when he was attacking hapless scholar B. For example, he spends much of the book trying to convince the world that 1688 was a stupendous event that transformed everything, but when he gets around to attacking those poor political scientists who think the Revolution led to new rights for English property owners, he argues passionately that the Revolution created no new rights at all. One can only scratch one’s head and move on.

For those who have forgotten this watershed event – no surprise, given how under-appreciated and misunderstood it was in our textbooks – I will give a quick summary. James II was the younger brother of Charles II, the king whose restoration to the throne in 1661 gave us the name of a historical epoch and the setting of the average romance novel. James converted to Catholicism as an adult. This led to a political struggle in England over whether to exclude James from the succession, but in the end he did become king on his brother’s death in 1685. As a Catholic James came to the throne with at least one strike against him, or possibly two, and his coronation was greeted by widespread rioting and one serious rebellion, led by Charles II’s illegitimate son the Duke of Monmouth. At the time the mass of the nobility and gentry supported the king, so James held onto power. But over the next three years it became clear that James wanted to turn England into an absolutist monarchy modeled on that of France, and although he had promised to keep his religion a private affair he began to push for wider acceptance of Catholicism in English public life. Among other things, he forcibly converted Merton College, Oxford into a Catholic seminary. By these measures James turned most of the English elite against him, and they invited James’s nephew William, the Prince of Orange to invade and replace him. In late 1688 William arrived with an army of 20,000 men, about half Dutch and half English exiles. The whole country rose on his behalf and James fled to Ireland. (Although, as I said, most of England was against James, he still had much support in Ireland and Scotland.) In early 1689 Parliament declared William and his wife Mary to be England’s sovereigns and published a Declaration of Right which summarized the constitution of England as the revolutionaries understood it. Something similar happened in Scotland a few months later. James’s attempt to rule as an absolute monarch failed, and Britain remained a hybrid state where Parliament was the most important seat of power.

Since Pincus is so determined to prove that 1688 was a “modern” event, a “revolution,” even in some sense the beginning of the modern world, I would like to point out that in some ways it was a very medieval affair. A relation of the king arrives from abroad with a small army of mercenaries and exiles, sets up his standard, hoping that discontented people will rally to him, and announces that he will respect the “rights and privileges” of his subjects as the current king does not – these exact events had transpired at least six times in English history going back to 1328. William’s insistence that he had not come to change anything in England but only to affirm the old liberties of his subjects is particularly traditional. Take away the emphasis on Protestantism, and William’s promises could have been made by Henry Tudor, Henry Bolingbroke, Roger Mortimer, or any of the other great medieval rebels.

By this I do not mean to say that the events of 1688 were just a repetition of those of 1485, or that they were not important. The world changed a great deal in the course of the sixteenth and seventeenth centuries. The revolution of 1688 was accompanied by ideological ferment and some very sophisticated thinking about how to reorder the government to protect the people from tyranny. The great virtue of Pincus’s book is that because he is so well versed in the pamphlet literature of the 1680s and 1690s he is very enlightening about the development of ideology, the rise of political parties, and the beginning of real political debate about government economic policy, some of which does indeed seem quite modern. But when it comes to evaluating whether 1688 was a “modern revolution,” it is worth keeping in mind how traditional it was in form.

After the polemical introduction, in which he lashes out at the rest of the scholarly world and argues for the supreme importance of his subject, Pincus turns to the social and economic development of seventeenth-century England. The economies of England and the Netherlands developed greatly in this period. Manufacturing surged, trade increased, and the first exchanges for the trading of stock and insurance certificates were set up. The driving force behind this change seems to have been trans-Oceanic trade. Not that the trade with America and the Indies was in itself so large, but it was so enormously dynamic and led to such huge profits for a few merchants that it drove commercial capitalism forward at an unprecedented rate. Pincus is quite good on these changes, and he is even better on the changes in thinking that the new trade inspired. Before 1600 European economic thought, such as it was, focused on land and tended to assume that there was a fixed amount of wealth in the world. By the 1690s many thinkers with ties to trade had realized that wealth could be created by new ways of organizing labor, and they glimpsed a future of unlimited economic growth. Where I differ from Pincus is in his insistence that all of this was “revolutionary” and that everything and everybody was “transformed.” The new English economy of trade and manufacturing grew very slowly in the seventeenth century. Pincus seems to think that it sprang up overnight and “transformed” (his favorite word) England. I take the view of Sir Edward Hales, an advisor to James II who commented on “the great increase in trade since Henry VIII’s time.” (88) Not only were these changes slow to develop, they did not “transform” many lives until much later. Well into the 1700s if not the 1800s most people in England did the same sort of work as their grandparents, with the same sorts of tools, lived in the same sorts of houses and ate the same food. The changes that Pincus points to – the origin of stagecoach lines with regularly scheduled runs, the penny post, the drinking of coffee and tea and the eating of sugar – are very interesting but hardly transformative.

Pincus has very strong opinions about James II and his policies, and in the main I agree with him. Pincus makes it clear that James was not just a Catholic, but a French-style Catholic and a great admirer Louis XIV. James would have liked to convert all of England to Catholicism but realized that this was beyond his power, at least in the short term. But he did all he could to promote Catholicism, and the big, public crises of his reign all stemmed from his attempts to force acceptance of his faith. For example, he tried to make it illegal for Protestant preachers to attack Catholicism from the pulpit and eventually put seven bishops of the Church of England on trial for failing to discipline anti-Catholic preachers. This trial, combining as it did arbitrary state power with an attack on Protestantism, became the rallying point for opposition to James. James was also trying to build up a bureaucratic government that would respond directly to his orders, and he enlarged the navy and army. Pincus sees James’ policies, not just as the pursuit of royal power, but as “modernization.” The coherence and sophistication of James II’s modern style of governance,” he tells us, “has frequently been obscured by historians.” (143) Certainly bureaucracy and standing armies are regular parts of modern life, but on the other hand they were hardly new in 1685. The Romans, I seem to recall, had a fairly impressive standing army, and it strikes me that as a general rule nothing that was well known to the Romans is a definitive sign of modernization. Pincus is particularly enraged by any accusation that James’s actions were irrational:
James’s actions were not insane, stupid, or perverse. Nor did James pursue policies typical of later seventeenth-century monarchs. Instead he carefully, methodically, and above all bureaucratically promoted a series of centralizing policies that were both modern and proven to be successful. (162)
Pincus searches the historical literature for slights on James’s sanity like an eager duelist strutting through Shakespearean Verona, his hand on his rapier, seeing insults everywhere: You laughed, Sir. But while James’s policies were rational in the sense that they were modeled on measures that worked for Louis XIV, James was king of England, and in England the result of these policies was that James was chased into exile by an armed rebellion led by almost the entire political elite of the realm. I am not sure what words Pincus thinks are appropriate for such a policy, for me insane, stupid, and perverse work quite well.

Pincus also has strong views about James’s opponents. In order to establish that 1688 was a “modern” revolution, he thinks he must convince us that the rebels were not motivated by religion. Religion, he thinks, was somehow pre-modern, whereas objections to James’s arbitrary state power, rigged trials, and standing army were modern. I doubt whether it makes any sense to separate James’s Catholicism from his royal absolutism in this way. I have noticed that many of my own contemporaries readily believe that everything they oppose is at its root the same, so that, for example, gay marriage is a kind of socialism. I suspect that the average opponent of James II did not really distinguish between his Catholicism and his power grab. The English elite accepted James because he promised to respect their liberties and their religion – “to support the government in church and state as by law established” – and when he began asserting his authority they decided that, what do you know, tyranny and popery really were the same thing. One of the rebels swore that he would not “sacrifice the religion and laws of his country to the arbitrary lust of a priest-ridden tyrant,” which hardly suggests a clear distinction between religion and politics. (205) James himself certainly believed that Protestantism tended toward rebellion and Catholicism toward royal authority. John Locke and his intellectual friends may have had a more subtle understanding of the part played by religion in these matters, but it was not the intellectuals who overthrew James.

Who did overthrow the king? Pincus thinks the question is important because he wants 1688 to be a popular revolution, not just an aristocratic power grab. The problem with Pincus’s analysis is that he seems not to grasp what aristocracy means. He presents evidence that most of those who rioted in favor of William and Mary, or took up arms on their behalf, were common people, and he asserts that this means the revolution was not aristocratic. But, honestly, has there ever been in human history either an army or a mob that was made up mainly of aristocrats? In an aristocracy, aristocrats lead, and commoners follow. The make-up of the mobs and armies says nothing one way or the other about whether the overthrow of James came from above or below. That depends on who led and inspired the rebels. My reading of events is that while some people rioted against James without direct aristocratic leadership, what made the difference between 1688 and Monmouth’s failed revolt of 1685 was that in 1688 a majority of the aristocracy supported William and Mary. One of the things that struck me most in Pincus’s narrative was that still in 1688 a great English lord could set up the standard of revolt and raise an army of thousands from among his own supporters:
From his base of Derbyshire the Earl of Devonshire had no trouble mobilizing an armed force to oppose James II and support a free Parliament. He arrived in Derby on 21 November with five hundred men who declared ‘that they would, to their utmost, defend the protestant religion, the laws of the kingdom, and the rights of liberties of the subject.’ Though Derby itself proved cautious, more Derbyshire men poured into augment Devonshire’s force that day. . . . (239)
To Pincus the readiness of the “Derbyshire men” to join the Earl’s force means that the revolution was “popular.” To me it means they were happy to be led by aristocrats against a popish tyrant. Not only does Pincus seem oblivious to the aristocratic nature of seventeenth-century society, he also seems not to understand the historians he wants to argue against. The Marxists who dismiss 1688 as a counterfeit revolution are not going to be impressed by these accounts of aristocrats raising the countryside against the king. If your idea of a real revolution is the Russian or the Chinese – the entire ruling class slaughtered or sent to Siberia – then you will never believe that a rebellion led by Lord Lovelace and the Earl of Devonshire, bent on restoring the ancient liberties of the realm, is revolutionary.

Pincus several times chastises other historians for failing to put the events of 1688 in a wider European context. Which is fair enough so far as it goes, but Pincus commits the parallel sin of keeping his focus on too narrow a span of time. His impressive learning does not seem to extend beyond the years from 1670 to 1696. It seemed very odd to me that a book about the revolutionary transformation of Britain in the 1600s had nothing to say about the English Civil War of 1642 to 1649, and the execution of Charles I by his people. Those events were in some ways much more revolutionary than 1688; for example, some of the earlier rebels wanted to abolish private ownership of land, and when they cut off the king’s head they didn’t bother to crown another one. Pincus doesn’t mention these events until page 480, where he simply notes that however revolutionary those events were, the changes “proved ephemeral.” This strikes me as akin to saying that the Apollo moon missions made no difference because the astronauts came back. It is true the Charles II came to the throne with great pomp and circumstance, but to be a king whose father was overthrown and beheaded is a little different than being a king whose ancestors have safely held the throne for generations. He, at least, had the wit to refrain from antagonizing his rebellious subjects. James forgot the lesson of his father’s beheading and made the same tyrannous mistakes. This time his subjects rose up much faster than they had against his father, since they already had the habit and all the necessary tools.

After treating us to a vitriolic 480-page argument about the centrality of the years around 1688 in world history, Pincus completes his catalog of annoying historical sins by backing away from his own assertions in the last few pages. You can respect an argumentative bastard who really has the courage of his convictions, but Pincus reveals himself as an argumentative bastard who can’t stick it out to the end:
The Revolution of 1688-89 was not a self-contained event lasting only a few months. To understand it in such narrow chronological terms is to miss the radical significance of the revolution. Instead, it is best to understand the revolution as a process set in motion in the wide-ranging crisis of the 1620s, which unleashed an opposition movement deploying modern polemical strategies and coming to an end only when the Whig prime minister Sir Robert Walpole chose to consolidate his power by guaranteeing that revolutionary change would go no further. (483)
We have thus a “revolutionary century” stretching from the 1620s to the 1720s. Phrased in this way, Pincus’s argument becomes banal; who doesn’t agree that, in political terms at least, England was transformed between 1620 and 1720? On the other hand the change was, I would argue, less significant than what took place between 1820 and 1920; which is the real beginning of the “modern world”?

Pincus believes that 1688 was the first modern revolution. If I argue that, on the contrary, it was the last medieval revolution, the last time a relation of the king and his aristocratic friends raised a peasant army with a battle cry of restoring the traditional liberties of the people, then surely what I say will be partly true. We can argue all day about whether my view or Pincus’ is closer to the truth, but why would we bother? What is the significance of these categories, “modern” and “revolution,” that makes them worth the spite Pincus spews in every direction? Important things happened in seventeenth- century Britain: the founding of the overseas empire, Newton's Principia, the overthrow of two kings. Why confound our understanding of those events with a lot of sound and fury about modernity? 1688 would have been a much better book if Pincus had curbed his anger against historians he disagrees with and stuck to sharing his knowledge of the past.

January 24, 2010

Tuesday, January 4, 2022

Snow

We had a surprise snowstorm yesterday. The forecast was for "wintry mix." When I got up at 6:00 AM it was snowing hard but the temperature was just above freezing, so there was nothing in the yard but half an inch of slush. I sat down to work. But then the temperature fell, and an hour late when I looked outside again it was sticking and everything was white. This was the view from my porch a little before noon.


Later in the afternoon, with the some blue sky showing through the passing clouds. It was nice to learn that despite all the weirdness of this year, my younger daughter still whooped with joy when she heard school was cancelled.

And today I took a walk in the woods in glorious sunshine.




Unethical Experiments

Tyler Cowen put up a post on his blog saying that Malcolm Gladwell asked him to put this question to his readers: “What’s the best example of an experiment or trial that could be scientifically useful and informative but which can’t be done for legal, ethical or logistical reasons?”

The responses I found interesting fell into two categories: child rearing and education. Here is one on child rearing:

Parenting Styles. Compare strict v. permissive. Do a group with physical punishment and yelling etc. to find out just how bad and harmful these practices are. And also do a hippie-dippy group where the kids can do whatever they want. Seems like so much of our knowledge on this is hopelessly confounded.

Others specifically called out breast feeding, having your infant sleep in your bed or not, and parental separation. Because everything we think we know about this stuff is indeed confounded by the problem that people who raise their kids in different ways are different from each other in a million other ways. The same might be true for people who get divorced, although nobody really knows that, either.

One of the education experiments people asked for involved taking 10,000 children and randomly assigning them to different kinds of school systems, or to home schooling, and seeing what happens. Another was to randomly send half a group of 18-year-olds to college and prevent the other half from doing so, then checking on how they were doing ten years later.

It seems that doubt over whether formal education does any good is rampant in America these days. 

Chinese Culture and State Control

 From Dan Wang's long, interesting letter on the year in China:

While it’s too soon to say that regulatory actions have snuffed out entrepreneurial dynamism in China, it’s easier to see that a decade of continuous tightening has strangled cultural production. I expect that China will grow rich but remain culturally stunted. By my count, the country has produced two cultural works over the last four decades since reform and opening that have proved attractive to the rest of the world: The Three-Body Problem and TikTok. Even these demand qualifications. Three-Body is a work of genius, but it is still a niche product most confined to science-fiction lovers; and TikTok is in part an American product and doesn’t necessarily convey Chinese content. Even if we wave nuances aside, China’s cultural offering to the world has been meager. Never has any economy grown so much while producing so few cultural exports. Contrast that with Japan, South Korea, and Taiwan, which have made new forms of art, music, movies, and TV shows that the rest of the world loves.

The reason for China’s cultural stunting is simple: the deadening hand of the state has ground down the country’s creative capacity. The tightening has been continuous. Consider that the Three-Body trilogy had been published in Chinese by 2010, which was a completely different era. I think it’s quite impossible to imagine that this work can be published or marketed today. It’s not just the censorship related to direct depictions of the Cultural Revolution. A decade ago, the CEO of Xiaomi went on Weibo to share his thoughts on the book; today, few personalities speak up to say anything except the patriotic or the mundane. Therefore I’m not terribly optimistic about the future of Chinese science fiction, which today has almost as many people studying the field as actual practitioners.

Throughout the last decade, Xi and the rest of the leadership have proved successful at convincing or coercing elites that it’s not worth their while to ponder such abstractions as whether the country is on the right path. These elites should keep their heads down and make money. . . . . 

There’s little prospect of loosening in sight. Writer friends say that there’s no way that they can publish interesting work in 2022, given that the 20th party congress will be held at the end of the year. We have to accept that the direction of travel is towards still-more tightening. Just as a house can never be too clean, a city can never be too protected against Covid-19, and the country can never be too free of spiritual pollution. One of Xi’s legacies has been to push officials to err on the side of implementing controls too tightly, such that party officials are now trying to prove themselves to be more Marxist than the general secretary. It’s a safe bet that the government will control too much rather than too little.

Monday, January 3, 2022

Khadambi Asalache's Fantastic House

Khadambi Asalache (1935-2019) was a Kenyan poet, novelist, and civil servant who is now best known as the creator of this amazing London house. As you can see, nothing special on the outside.

But inside Asalache decorated it from top to bottom with wood carving, painting, cloth, and hand-built furniture; the style mixes African and European elements in wild profusion.

The BBC describes his career like this:

Born in Kenya, the son of a chief, Asalache studied architecture in Nairobi, and art in Rome, Geneva and Vienna. He produced poetry and novels, and - after a spell with BBC Africa - took a job at the Treasury in London. In 1981, he moved into a dilapidated house at 575 Wandsworth Road. Confronted with a damp patch that resisted treatment, he opted to cover it instead, producing the first of his wooden carvings. Twenty years later, he was still at work.


I have to imagine that his bureaucratic job left his artistic side radically unfulfilled, and his life in London left him a little homesick. Hence, all of this. 


In 2019 the house became a museum operated by the National Trust. Laura Hussey of the Trust told the BBC, 

I think the house really stands for the power of human endeavour, and for what can be created with time and dedication and love.

Even the floors are painted.

Amazing.

Robert L. Hall, "The Archaeology of the Soul: North American Indian Belief and Ritual." Chicago: University of Illinois Press, 1997.


I. The Past

As a young man, Robert Hall was a brash archaeologist with science on his mind who eagerly dug into Indian graves in search of answers about the past. Over the course of his life, his approach slowly changed. He came to favor what he calls a "more humanistic" scholarship. He read deeply in Indian history and myth, participated in Indian ceremonies, took peyote. He developed a particular interest in Indians who became anthropologists, in how they recorded and interpreted the myths and rituals of their own peoples. If you are a cynical intellectual sort, I know just what you're thinking – oh, great, another promising scientific mind washes into the mudflats of "spirituality" and trades in analytical rigor for peyote, togetherness, and Indian rights. Not so Robert Hall. The Archaeology of the Soul draws on archaeology, history, and ethnography to make what I believe is an insightful and important argument about the North American societies of the distant past.

The Archaeology of the Soul takes a long time to get to what I take to be the main point. I wondered, as I was reading, if listening to old Indian men tell stories and participating in four-day rituals had altered Hall's sense of time. Or perhaps Hall has tried in this book to recreate something of his own mental development. As he tells it, he read first ethnographic accounts of Indian rituals as an undergraduate, but it took him decades to understand how those records could be used to interpret the distant past. Hall's goal seems to be to explain why the ancient American "mound builders" – Adena, Hopewell, Mississippian – devoted such an extraordinary amount of time and effort to funerals. Yet the first 3/4 of the book makes only occasional contact with archaeology. These chapters are concerned with the myths and rituals of the Indians of the upper Mississippi valley and the northern plains, and I found much of this a hard slog. The dozens of versions of similar myths ran together in my mind, and I could never keep straight which ritual was performed by the Ojibwas, or the Potowatamis, or the Miamis, or any of the fifty other tribes that figure here. In the end it turns out that this makes little difference. Part of Hall's thesis is that our diverse Indian myths reflect continent-wide ideas and preoccupations, and that the underlying logic is best understood by setting a dozen related stories side by side. Hall produces cases in which a detail from the rituals of one tribe can only be explained by reference to the myths of another. Hall thinks that the basic ideas are very old, and he sees no problem with using myths first recorded in the 1680s or even the 1920s to understand 3,000-year-old artifacts:
I think it unlikely that there was anything in Hopewell that cannot be explained by the workings of processes known from eyewitness knowledge of historic North American Indian customs, the geological doctrine of 'uniformitarianism' applied to culture history, if you will. (156)
Hall's starting point is the rituals associated with the Calumet, or ceremonial pipe. These rituals combined adoption ceremonies with mourning for the dead. Our first descriptions come from French explorers who were adopted in this way, and in the early days they commented with surprise on the weeping that preceded their welcome into the tribe. Before they could welcome new members, the Indians explained, they had to mourn those who had been lost. When their knowledge of local customs was better they used these rituals for their own purposes. In 1681 La Salle made a formal visit to the Miami tribe, who had recently lost many men in a raid by the Iroquois. He gave them many gifts, including a piece of blue cloth which he said would cover the dead bodies of their men, and a piece of red cloth which he said would hide their spilled blood. Our French source tells us,
In this wise M. de La Salle made use of all these first gifts to gain the good will of the Miamis, for nothing touches their hearts sooner than respect shown to their dead, just as nothing arouses them to vengeance more surely than outrage done to the dead. Then he continued in the following terms:

"We have thus, my brothers, performed our duty to the dead, who must be satisfied, who now ask nothing except to be left in peace, and who desire us to dry our tears, and to think of caring for their children left here in their places. But I mean to do more – I will bring them to life again. You daily mourn the loss Ouabicolcata, the greatest of your chiefs. Think him not dead. I have his mind and soul in my own body; I am going to revive his name and be another Ouabicolcata; I shall take the same care of his family that he took in his life; and that no one may mistake, I declare that my name is not Okimao [his former Miami name]. My name is Ouabicolcata; he is not dead; he lives still, and his family shall want for nothing, since his soul in entered into the body of a Frenchman, who can provide his kinsmen abundantly with all things needful." (11)
Hall follows this theme through several more chapters. In many Indian mourning rituals, a man took the place of the deceased, assuming both his name and his social role. Sometimes, as La Salle's maneuver shows, this was a political act, since by sliding into the persona of an influential chief he surely intended to appropriate the man's influence for himself. To adopt a man from another tribe as the reincarnation of a chief was, in some tribes, a traditional way of making alliances. It could also be done entirely within a tribe. When one of the 49 chiefs of the Iroquois Confederacy died, his replacement was proclaimed in the course of the funeral, at one point rising from the dead man's funeral bier, in his clothes, and from that point on he would be known by the old chief's name. At other times the main point seems to have been revenge, and the duty of avenging the dead man fell on the one who assumed his name and was adopted into his family. Father Barthelmy Vimont, a Jesuit missionary who worked in Quebec in the 17th century, described these rituals like this:
It has often been said that the dead were brought back to life by making the living bear their names. This is done for several reasons -- to revive the memory of a brave man, and to incite him who shall bear his name to imitate his courage; to take revenge upon the enemies, for he who takes the name of a man killed in battle binds himself to avenge his death; to assist the family of the dead man, because he who brings him back to life, and who represents him, assumes all the duties of the deceased, feeding his children as if he were their own father -- in fact, they call him father, and he calls them his children . . . .
Hall extends this analysis through many different versions of many different rituals, including the Sun Dance of the plains and the sacrificial ball games of the Aztecs.

The basic components of this ritual set – adoptive kinship, for a living man to assume the name and place of one recently dead, the use of fictive kinship ties to make political alliances, the rites involving the calumet (the "peace pipe" as it is known in colloquial English), a dance that is a kind of mock warfare – are found throughout North America east of the Rockies. With this in mind, Hall examines the elaborate tombs and astonishing accumulations of grave gifts left by the Adena (ca. 1000 to 300 BC), Hopewell (ca. 300 BC to AD 100) and Mississippian (AD 900 to 1600) peoples. The larger tombs of all these cultures contained a museum's worth of artifacts each, many of them the work of master craftsmen, some of them made from materials that had to be traded across thousands of miles. The fabulous objects found in the tombs are never found at village sites, not even in the houses of chiefs. They were only used, it seems, in rituals. Some peoples had two completely different types of pottery, a plain sort used at home and elaborately decorated vessels that are, again, only found in tombs. Hall's model is that these people devoted so much energy to funerals because their politics was based on adoptive kinship, and their adoption rituals, like those of so many modern Indians, were combined with funerals. At the death of a great man among any of these mound builders, Hall believes, the crisis of succession was handled through his funeral. His allies would come to reaffirm brotherhood with his successor, perhaps exchanging lavish gifts. His vassals would come to be adopted as the younger brothers, nieces, or children of the new chief. The new chief would show his wealth and power by staging these rituals around the most lavish possible funeral for his predecessor. Hall thus explains phenomena that seem far removed from Indian life as we know it historically in terms of the rituals and beliefs of historic Indians.

This makes a lot of sense.

Red Horn, or "He Who Wears Human Heads as Earrings," Stone Tobacco Pipe from Oklahoma

Hall has much more to say than this simple formula. For example, he explains the piles of marsh mud found in some tombs by the legend of the Earth Diver, a figure of many Indian mythologies who created the earth from mud retrieved from the bottom of the sea. He has a particularly neat explanation for the human face earrings, or "maskettes", that have been found at several Mississippian burial sites. The one place these earrings have conspicuously not been found is the greatest of all Mississippian sites, Cahokia. "He-who-wears-human-heads-as-earrings" was a culture hero to various Midwestern Indian tribes in historic times, and he was usually the son of the Morning Star. We have iconographic evidence that the ruler of Cahokia claimed to be the reincarnation of the Morning Star. So what better way for him to accept other chiefs as his vassals than by adopting them as his sons and proclaiming them to be reincarnations of Morning Star's son, "He-who-wears-human-heads-as-earrings"?

I felt on finishing The Archaeology of the Soul that I understood things I had never understood before, and what higher praise can one give to an academic book than that?


II. The Present

In my experience, modern Indians have two main complaints about archaeologists. First, archaeologists loot Indian graves and treat the bones of Indian ancestors as so many laboratory samples. Second, they are obsessed with minutiae about the past like what people ate – a tribal chief once gave me a magnificent harangue about "subsistence practices," in which he wondered what kind of people these archaeologists were who thought they could explain Indian life from a few flakes of bone and stone. Both of these criticisms have something to them, but they contradict each other. The only good way archaeologists have found to study the spiritual lives of ancient peoples is by digging into their sacred sites, and for North American Indians that generally means tombs. Robert Hall tries to sort through this dilemma in this book. As a friend of traditional Indians and a participant in many Indian rituals, he understands how seriously Indian religion takes the proper treatment of the dead. As an archaeologist interested in spiritual life, he knows that the only way to learn about the spiritual lives of those long dead is by using objects that came out of tombs.

He makes an explicit argument against a notion one occasionally hears, that digging up Indian tombs encourages the excavators to view Indians as savages, or at least as something completely other from themselves. In his case, he says, and for many others, it was digging into Indian graves that sparked his interest in Indians. In Illinois where he grew up there were no living Indians, so he had no chance to get to know them or their culture in that way. He met them first through archaeology, and far from coming to think of Indians as savages, he found them fascinating, and has spent his life getting to know more about them in every we he can.

There is in the center of The Archaeology of the Soul a strikingly incongruous chapter on the Spoon River Anthology. Hall uses Edgar Lee Master's trick of making his poetry speak for the dead to explain his own practice of archaeology. Through excavating ancient graves, he says, we can give voice to people long forgotten. Here Hall writes about a cemetery he helped excavate early in his career, of the Oneota people (Mississippians of the upper Mississippi valley, ca. 1300 to 1450 AD).
The Oneota cemetery (Norton Farms 36) delivers a message that almost screams to us from the graves. . . . This record speaks not only of tender love but also of warfare. Of almost three hundred individuals buried in the cemetery the skeletons of fifty show evidence of violent death over a period of years. The message is that of intermittent raids upon the village until it was abandoned following a final devastating attack that culminated years of stressful insecurity.

Sixteen individuals showed evidence of scalping, as indicated by cutmarks incised in locations on the bone around the crowns of the skulls. Twenty-six additional individuals were buried without heads at all, and of these twenty-six, eleven exhibit cutmarks somewhere on the first four cervical vertebrae, showing that the heads had actually been severed from the spine. These figures would attest to trophies of war being taken from the bodies of forty-two victims without regard to age or sex. Of the scalped individuals, ten were adult females, three were adult males, one was an adolescent male and two were children. . . .
We can never know their names, but like those immortalized by Edgar Lee Masters and Nelly Sachs, death has not erased their memories completely. Burial 200: female, age thirty-five to forty, hand fractured, possibly while trying to ward off the blow of a stone ax, skull crushed with a stone ax, scalped, bones subsequently gnawed by animals, recovered, and buried. Burial 230: infant age twenty-four to thirty-two months, died from a blow to the head, subsequently scalped. Burial 62: male age thirty to thirty-fve, four stone ax blows to the head, two arrows in the chest, two arrows through the back and embedded in the sternum, scalped. Burial 91: Female age thirty to forty, healed fracture of the left forearm from an earlier injury, stone ax wound on the shoulder, cuts on the neck vertebrae, head missing, skeleton gnawed by animals before burial. . . . (142)
The sad tale of this doomed people touches us, thanks to the efforts of archaeologists. Later on, Hall describes an infant burial from the same cemetery:
Few stories allow us to penetrate the very soul of those Oneota villagers as well as that of Burial 197. This was a three-to-nine-month-old infant buried as though held within the grasp of a pair of adult human hands – the hands alone. This was not a child buried with an adult. There was just a pair of skeletal human hands with the infant nestled between them. Other things were found in the same grave – a shell bead bracelet, a strand of beads, and a set of hawk legs – but nothing that would explain the hands. We can infer, however, that the hands had some special symbolic value.

Gene Weltfish has said of the Pawnee that when “a chiefly infant was born to two high-ranking parents, he was wrapped in a wildcat skin symbolizing the heavens with its panoply of stars and planets.” Knowing these things – knowing that a chiefly child might be cradled at birth in a wildcat skin, knowing that the starry night sky had a metaphor in the spotted fur of a wildcat, and knowing that the dome of the night sky could have a metaphor in the cup formed by a pair of human hands, as we know it did for the Zuni – how can we not suspect that the infant of burial 197 was itself a ‘chiefly infant’, found as it was, cradled within a pair of human hands? (151)
Hall has given what I think is the only possible response to the accusation that archaeologists unfeelingly desecrate tombs. The point is not, or ought not to be, just the thrill of discovery and the wonder of finding beautiful, ancient thing in the ground. The point is to make the dead live again. The point is to tell their stories, as far as we can understand them, so they will not be forgotten.

I speak for the dead, says the archaeologist. I am like the people who reincarnated the dead in so many Indian rituals, across so many centuries. I cannot take their names, since I do not know them, but I will make the dead live again through my study of their lives and my recreation of their world.

March 13, 2010