Interesting musings from Sam Kahn about the decline of the book as a form, and what might replace it. After referencing the various doomsters who say that today's college students are functionally illiterate and so on, he notes that while books may be in trouble, "writing is undergoing a renaissance."
But if print can survive the flood — through articles, short-form writing, etc — books may still find themselves a casualty. In part, what the doomsaying articles are saying about students is not necessarily that they can’t read but that they can’t read long-form work. And to some extent the kids may have a point. It is a crowded marketplace out there; the more time you spend with one person means time taken away from others. And, by the same token, if so many people are so adept at saying what they have to say in short-form writing, why the need for a doorstop? Part of what the kids may be intuiting is that a book needs to be of a certain length in order to justify the cost of the binding — and writers writing books tend, even at the conceptual level, to pad out, trying in their minds to be worthy of the majesty in the implicit idea of a book. But readers’ behavior in the digital era is very different. They are not looking to fill out a train ride or long winter’s evening with a book. They are reading looking for an idea, for something interesting, and what that implies is that writers can use readers’ attention spans, rather than the imagined length of a book, in order to give shape to their ideas. A text should be as long as it takes to express the idea.
I agree with this completely. The world is full of books that should have been articles or short stories, padded out to 250 pages because that is what the publishing world requires. Even writers as well known as Kazuo Ishiguro do this, turning interesting little ideas into bloated "books."
What I would expect that means in the realm of serious writing is, over the next years, a good deal of structural innovation in text. Even in a domain like biography or history, where the book seems especially sturdy as a form, I notice writers chafing under its inherent limits. Why should biographers have to devote the precious real estate at the beginning of their book to discussing their subject’s grandparents while the subject’s main accomplishments often come somewhere towards the end when reader and writer are both exhausted? The ‘archipelago’ may be a more simpatico structure for history than the straight line. One can only imagine how much smoother poor Robert Caro’s life would have been if he could have started with the presidency of his subject as opposed to spending forty years chasing down the truth of Lyndon Johnson’s student council experiences and then waiting until his 80s to write down the meat of his project. In fiction, I would imagine writers gravitating towards the novella (an excellent form that fell into disuse because it didn’t quite fit the exigencies of the publishing industry) and maybe on the more innovative, ambitious side we can imagine writers using the resources of the web to produce sprawling fictive worlds that don’t necessarily have to be connected by a throughline.
Reading this I imagined turning my old gaming world into a sort of hypertext story in which you could switch between cities and region and follow different characters and see both how the main events transpire or are reflected in every region, plus the local concerns of each. Imagine this for LOTR, an edifice within which the sort of nerds who write posts about "what was really happening in Umbar" can go read about it. George R.R. Martin might have loved this.
I like reading novels; it is a form I enjoy. I have also enjoyed writing them. But I do suspect that they are not the future of storytelling. I suspect that while novels will endure for a long time, writing may evolve in diverse directions. Many stories will be shorter. Writers with longer stories to tell may split them into pieces; this already happens in collections of linked short stories, and we may get more of it. I can also imagine stories told like The Princess Bride, with the "good parts" narrated in detail and much of the rest just sketched out in little text or video interludes.
After saying a bit about how powerful he has found the experience of writing novels, Kahn notes that what writers find meaningful for themselves is not necessarily what the world wants:
I would say the intelligent thing to do here is is to try to change up our values system for the digital age. Good writing can be done in short chunks — articles, short stories, novellas, whatever — just as good running can be done at any length. Novels should probably be treated as what they are — something like a marathon, a sort of circus freak event for those who for some reason or other are determined to pursue that — as opposed to what they are now, which is like a badge of entry for writing. In other words, novels seem singularly unsuited to the digital era. That’s unfortunate but should be clarifying for those who write novels: that they are doing it more as a spiritual exercise than to reach an audience.
For now, this is still not true; there are still many millions of novel readers out there. But we are aging, and I consider it an open question how many of us there will be in future generations. Storytelling will always be with us, but the novel is an invention of certain cultures, and most of humanity always did perfectly well without it.