Delightful essay by Hugh Aldersen-Williams on the unbuilt fantasies of French architecture in the revolutionary period, at Public Domain Review. Aldersen-Williams focuses on the work of Étienne-Louis Boullée and Claude-Nicolas Ledoux, two dreamers who must have been very frustrated that the work they actually built fell so far short of what they imagined. Above, exterior and cross-section of Boullée’s famous design for Newton’s Cenotaph, 1784. This would have been enormous; those are mature trees growing on othe terraces.
Many architectus of the time were fascinated by spheres; here is Ledoux’s design for a public mausoleum, from his book L’architecture considérée sous le rapport de l’art, des moeurs et de la législation, 1804.Perspectival view of Ledoux’s design for the forge at Chaux, France, from the same book. Pyramids!Boullée’s design for a coliseum, ca. 1781–1793. For these architects, decoration was the past, and the future was bold geometry.
2 comments:
He should have been a master carpenter for he was responsible for the maintenance of the "Graduation de la Saline" at the Royal salt works of Arc-et-Senans. This was a massive wooden structure 7 metres high and just short of 500 metres long, which served to increase the salinity of the water coming into the salt works. It lasted until 1920. There is a picture of it in the Wikipedia entry on Arc-et-Senans. The articles in French Wikipedia are, of course, more explicit.
wonderful, thank you
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